The Israeli Opera
Pyotr Ilyich Tchaikovsky

Iolanta

The premiere of Iolanta at the Israeli Opera. Tchaikovsky's last opera is a personal and intimate lyrical work that expresses the healing power of love.

18/01/2026

Sunday | 20:00

19/01/2026

Monday | 19:30

Premiere

20/01/2026

Tuesday | 20:00

22/01/2026

Thursday | 20:00

23/01/2026

Friday | 13:00

24/01/2026

Saturday | 20:00

26/01/2026

Monday | 20:00

28/01/2026

Wednesday | 18:00

In Shirit Lee Weiss’s sensitive and emotionally rich direction, Tchaikovsky’s world of passion is revealed in full. The opera follows the blind princess Iolanta, who is raised in seclusion by her father in a castle, hidden from the truth of her blindness. Through love, she gains not only her sight but also a deep understanding of the world’s beauty and complexity.

Plot Summary

Princess Iolanta, blind from birth, lives in complete isolation in a hidden garden on the grounds of her fathers, King René’s palace. Throughout her life, her blindness and royal status are kept secret from her. Bertrand, the groundskeeper, and his wife Martha, who is Iolanta’s nursemaid, raise her and try to keep her happy, but Iolanta senses that something is missing from her life, something others experience. The king insists on keeping her blindness a secret not only from her but also from her betrothed, Duke Robert. A Moorish physician, Ibn-Hakia, arrives at the garden with the king and tells him that he can cure Iolanta’s blindness, but to do so, she must first become aware that she is blind, as he believes that “body and soul are one.” The king, fearing that Iolanta’s heart will break if the treatment fails, refuses the proposal.

Robert arrives at the palace with his friend Count Vaudémont and confesses to him that he wants to call off his engagement to Iolanta because he has fallen in love with another woman. As they wander through the palace grounds, they discover the entrance to the secluded garden where Iolanta lives and go in, despite warning signs. They see Iolanta sleeping, and Vaudémont falls in love with her without knowing who she is. Robert, shocked by his friend’s behavior, believes Iolanta is a witch who has bewitched him. He tells Vaudémont to leave, but when Vaudémont refuses, Robert goes to fetch soldiers to rescue him. Iolanta wakes up, and Vaudémont, who asks her for a red rose as a keepsake, realizes she is blind when she hands him a white rose twice. He explains to her what light and color are, and they fall in love. The king discovers them together, and Vaudémont declares his love for Iolanta, blind or not. Ibn-Hakia tells the king that now that Iolanta is aware of her blindness, the treatment can proceed. However, Iolanta herself feels no sense of lack and is unsure whether she wants to undergo the procedure.
Vaudémont admits to the king that he saw the warning signs before entering the garden, and the king threatens him with execution for revealing her blindness. He tells Iolanta that Vaudémont will be executed if the physician fails to cure her. Horrified, Iolanta agrees to the treatment. As Iolanta and the physician leave, the king confesses to Vaudémont that he never intended to carry out the execution, he only said it to motivate Iolanta to undergo the treatment. Meanwhile, Robert returns with the soldiers and confesses to the king that he is in love with another woman, though he is still willing to go through with the arranged marriage. The king cancels the agreement and allows Iolanta to marry Vaudémont. Iolanta and Ibn-Hakia return after the successful treatment, and Iolanta has regained her sight. At first, she is slightly overwhelmed, but she soon rejoices in the gift she has received and in the new world revealed to her.

A variety of options for anyone who wants to enrich the opera experience

Want to know more about the opera you’re going to see? Want to discover the secrets behind the scenes? Want to meet the artists after the performance? The Israeli Opera allows you to enhance your operatic experience with a variety of events before and after the performance.

Preliminary Lecture

An hour before each opera performance begins, a 30-minute introductory lecture is held in the auditorium. The lecture, given by representatives of the opera team, sometimes focuses on the opera and its historical background, sometimes on the musical aspects of the work, sometimes on the production itself, and allows viewers to receive additional information in preparation for watching the opera a short time before the performance begins.
The lecture begins one hour before the start of each opera performance.

Lecture length: 30 minutes.
Admission is free for opera ticket holders that day.
A pre-show lecture will be held about an hour before each show begins.

Opera Talkback

The performance is over. It’s already late. And yet the experience was exciting, challenging, moving. It’s time to meet some of the participants in an informal gathering. Come listen and share. Come ask questions. Come get to know the soloists up close. An extraordinary opportunity to get closer to the artists who just thrilled you on stage.
An Opera Talkback takes place at the end of the performance on the second level of the Opera House’s foyer.

Talkback duration: about half an hour.
The talkbacks take place several times during each production. Admission is free.
The talkbacks will take place immediately after the show on the following dates:

January 2026

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