The Israeli Opera
Richard Strauss

Salome

This mesmerizing opera, based on the scandalous play by Oscar Wilde, presents the sensual and turbulent story of Princess Salome, returns to our stage in an impressive and daring production directed by Itay Tiran

06/05/2026

Wednesday | 19:30

Premiere

08/05/2026

Friday | 13:00

09/05/2026

Saturday | 20:30

11/05/2026

Monday | 20:00

12/05/2026

Tuesday | 20:00

14/05/2026

Thursday | 20:00

15/05/2026

Friday | 13:00

17/05/2026

Sunday | 18:00

Salome returns to our stage in an impressive and daring production directed by Itay Tiran.

This mesmerizing opera, based on the scandalous play by Oscar Wilde, presents the sensual and turbulent story of Princess Salome, whose famous “Dance of the Seven Veils” symbolizes the unrestrained passion of a woman unwilling to give up her love. In a postmodern, almost dystopian world, Strauss’s rich and complex music intensifies the drama in one of the most daring and exciting works in the classical repertoire.

Plot Summary

In the shimmering moonlight of King Herod’s palace courtyard in the Judean desert, the captain of the guards, Narraboth, muses about the beauty of Princess Salome. One of the servants warns him that his admiring glances at the princess are dangerously excessive and will only end in tragedy. The voice of John the Baptist rises from the dungeon where he is imprisoned by Herod. He prophesies the coming of Jesus, and the soldiers argue about the meaning of his words and the degree of his holiness. Suddenly, Salome herself arrives, having stormed out of the banquet hall in disgust at the lecherous looks cast at her by Herod, her stepfather.
John’s voice is heard again, and Salome, mesmerized by it, decides she must see the man behind it. She commands the soldiers to bring the prisoner up, but they refuse to disobey Herod’s strict orders. Salome seduces Narraboth into doing it for her. John is brought up from his prison, and though he is furious, Salome is not afraid. in fact, she is drawn to his voice, to the aura of death on his face, and to his austere eyes. John demands she repent for the sins of her mother, but Salome instead declares that she must touch the prophet’s white flesh, feel his radiant black hair, and kiss his lips. John denounces her, but Salome can no longer restrain her desire. Narraboth, horrified at the chaos he has caused and hurt by Salome’s indifference to him, stabs himself to death. Salome continues to plead with John to let her kiss him, but he shouts, “Daughter of harlotry, go and seek repentance!” She repeats her desire, but John curses her and returns to his prison.

Herod enters, followed by his guests, and obsessively searches for Salome. His wife, Herodias, jealous and furious, accuses him of lusting after her daughter. Herod offers Salome food and wine, but she refuses. John’s condemnations echo again from the dungeon. When Herodias begs Herod to rid them of the prophet by handing him over to the Jews, a sudden theological debate breaks out among the Jewish guests about the existence of good and evil. Two Christians from Nazareth arrive and speak of the miracles of Jesus, declaring that the Messiah has come. John once again curses Herodias’s wickedness, and she shrieks for him to be silenced. Suddenly, Herod asks Salome to dance for him. She refuses at first, encouraged by her mother. But when Herod swears to grant her anything she desires, Salome agrees, ignoring her mother’s pleasm, and performs the Dance of the Seven Veils for Herod.

Afterward, Herod asks her to name her reward. Salome demands the head of John the Baptist on a silver platter. Herod is horrified, but Herodias is overjoyed, convinced that Salome has done it to avenge her mother. Herod offers Salome priceless jewels, rare white peacocks, anything but that, but she insists on her original demand. Finally, Herod is left with no choice but to comply. Salome waits eagerly, listening for the sounds of the execution, but all is silent. Just as she prepares to send more soldiers to the dungeon, the executioner’s arm emerges, holding John’s severed head. Salome seizes her prize and, with fierce passion, sings to John as if he could still hear: “The mysteries of love are greater than the mysteries of death.” Salome kisses the severed head in ecstasy. Herod, horrified, orders her to be killed.

A variety of options for anyone who wants to enrich the opera experience

Want to know more about the opera you’re going to see? Want to discover the secrets behind the scenes? Want to meet the artists after the performance? The Israeli Opera allows you to enhance your operatic experience with a variety of events before and after the performance.

Preliminary Lecture

An hour before each opera performance begins, a 30-minute introductory lecture is held in the auditorium. The lecture, given by representatives of the opera team, sometimes focuses on the opera and its historical background, sometimes on the musical aspects of the work, sometimes on the production itself, and allows viewers to receive additional information in preparation for watching the opera a short time before the performance begins.
The lecture begins one hour before the start of each opera performance.

Lecture length: 30 minutes.
Admission is free for opera ticket holders that day.
A pre-show lecture will be held about an hour before each show begins.

Opera Talkback

The performance is over. It’s already late. And yet the experience was exciting, challenging, moving. It’s time to meet some of the participants in an informal gathering. Come listen and share. Come ask questions. Come get to know the soloists up close. An extraordinary opportunity to get closer to the artists who just thrilled you on stage.
An Opera Talkback takes place at the end of the performance on the second level of the Opera House’s foyer.

Talkback duration: about half an hour.
The talkbacks take place several times during each production. Admission is free.
The talkbacks will take place immediately after the show on the following dates:

Tours Before Performances

A unique experience: Being part of the preparations for curtain rise.

You know how there are moments that are just the right time? The hour and a half before the curtain rises is exactly that moment – when the house awakens to life, when the artists prepare, and when the stage transforms from an empty space into a world of magic.

Our special tour invites you to be part of this magical moment. You’ll see the house at its most vibrant – when the technicians do their final checks, when the lighting prepares to tell the story, when the production truly comes to life. This isn’t just a visit – it’s a glimpse into the living process of creating opera.

You’ll discover the hidden spaces of the house, meet the people behind the magic, and understand how every small detail becomes part of the grand creation. At the end of the tour, you’ll enter the auditorium already knowing the story of the place and ready to experience the performance in a completely new way.

A unique experience: Being part of the preparations for curtain rise.

Tour duration: 45 minutes of pure magic.

Timing: An hour and a quarter before the performance begins.

 Advance ticket purchase required, limited tickets available at this Link

Seeing how magic is born is almost as beautiful as the magic itself

May 2026

Other shows that may interest you