18/02/2026
Wednesday | 19:30
Premiere
A world premiere production of The Dybbuk, composed by award-winning composer Yosef Bardanashvili. Ido Riklin has written a new adaptation of the moving story of Lahela and Hanan, originally written by S. An-Sky. Directed by Riklin, the mystical tale becomes a bold and moving psychological drama that reflects the turbulent space between tradition and progress, and between forbidden love and madness, until its tragic end.
The Israeli Opera sincerely thanks the Diti family and Alex Landsberg for their support of the production
Plot Summary
The wife of Sander, a wealthy merchant, dies while giving birth to a stillborn baby. On the day of the funeral, Sander’s nine-year-old daughter, Leah, disappears from home. Sander and the nanny find her in the cemetery, where she watches pious women purify her mother’s body before burial. The scene leaves a deep trauma in the girl. Seven years later, Leah is sixteen. She was raised to be obedient and disciplined. During evening prayers, she and her friends, with the help of the women, admire the beauty of three wise yeshiva students who have arrived in the city. One of the avrechims, Hanan, leaves a deep impression on Leah. Sander invites Hanan and his friends to dinner. During the meal, Hanan secretly flirts with Leah. After the guests leave, Leah, moved and upset, admits that she longs for love, and confesses to her friends that she is in love. One of them, who has already been married by arrangement, talks about the suffering she goes through at night with her husband, a stranger to her.
At the synagogue, Hanan’s friends urge him to forget about Leah, because a poor beggar has no chance of marrying the daughter of a rich man like Sander, but Hanan cannot let go of his love. Just as Sander sets out to arrange a match for Leah with a member of a wealthy family, Hanan comes to him to ask for Leah’s hand in marriage. Sander becomes enraged and brutally beats him. Hanan remains bloodthirsty, and vows to do anything to win Leah. When Sander returns, he boasts in the synagogue about the matchmaking terms he has secured for his daughter. The worshippers celebrate with him.
After hearing of the expected matchmaking, Leah goes to her mother’s grave. Hanan, who has been following her, urges her to run away with him, but Leah refuses. A blind beggar, who overhears the conversation, predicts an approaching death. Leah comes with her foster daughter, Frida, to the mikveh to immerse herself before her wedding day. At the same time, Hanan goes down to the frozen river, in an attempt to appease hidden forces that will help him get Leah, but in the end he drowns in the river water.
Leah’s wedding day arrives. Sander hosts the area’s dignitaries and the town’s beggars come for a charity meal. The blind beggar tells Leah about “dybbuk” – restless souls that enter the bodies of living people. Leah dances a wild mitzvah dance with the beggars. When the groom arrives, Leah appears to be crazy. She speaks wildly and refuses to get married. The beggar declares Leah possessed by a dybbuk. Sander seeks the help of a tzaddik, a great rabbi in the Torah. After a long, humiliating wait, the rabbi agrees to come to his aid and expel the dybbuk from Leah’s body.
When Leah’s friends come to visit her at her home, they are horrified to find her chained up as if she were crazy. Frida tries to calm Leah down with a lullaby. Leah, for her part, sings about her father’s cruel oppression. In preparation for the expulsion ceremony, Leah is dragged to the synagogue. She begins to speak in the voice of Hanan, who refuses to leave her body and savagely confronts the tzaddik and Sander. At the height of the ceremony of expelling the possession, Leah enters a deep trance and sees Hanan in her mind’s eye. He begs her to escape with him again – this time to an inner world. Leah does not wake up from the trance. She remains alive, as a body empty of soul. Sander, left alone, mourns his beloved daughter who is lost to him forever.
Leah
Frida
Gitel
Batya
Sander
Hanan
Henach
Asher
Tsadik
Old Beggar Lady
1st Cleansing Woman
2nd Cleansing Woman
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Want to know more about the opera you’re going to see? Want to discover the secrets behind the scenes? Want to meet the artists after the performance? The Israeli Opera allows you to enhance your operatic experience with a variety of events before and after the performance.
An hour before each opera performance begins, a 30-minute introductory lecture is held in the auditorium. The lecture, given by representatives of the opera team, sometimes focuses on the opera and its historical background, sometimes on the musical aspects of the work, sometimes on the production itself, and allows viewers to receive additional information in preparation for watching the opera a short time before the performance begins.
The lecture begins one hour before the start of each opera performance.
Lecture length: 30 minutes.
Admission is free for opera ticket holders that day.
A pre-show lecture will be held about an hour before each show begins.
The performance is over. It’s already late. And yet the experience was exciting, challenging, moving. It’s time to meet some of the participants in an informal gathering. Come listen and share. Come ask questions. Come get to know the soloists up close. An extraordinary opportunity to get closer to the artists who just thrilled you on stage.
An Opera Talkback takes place at the end of the performance on the second level of the Opera House’s foyer.
Talkback duration: about half an hour.
The talkbacks take place several times during each production. Admission is free.
The talkbacks will take place immediately after the show on the following dates:
February 2026