Sally Jacobs has designed and directed theatre since 1960. Her work covers all of the major developments of the past 50 years – from the changing use of space and unscripted devised performance, experimental laboratories, large scale revivals of Shakespeare and Opera, and site specific and Performance Art. She designed many of Peter Brook’s most influential works, including Theatre of Cruelty, A Midsummer Night’s Dream, Marat/Sade, U S, Antony and Cleopatra and Conference of the Birds.
Since returning to London in the early 80’s she designed Die Fledermaus for the Paris Opera, Turandot for the Royal Opera – including a version for Wembley Arena, Fidelio for the Royal Opera, and Eugene Onegin and Die Soldaten for the English
National Opera.
