האופרה הישראלית תל-אביב-יפו האופרה הישראלית תל-אביב-יפו
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    Music Productions

    Israeli Music

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    Israeli Music

    Hebrew 
    A lonely lantern
    The Israeli Opera Soloists
    We have already built the sukkah, installed the lanterns, and now all that is left is to listen to the song "A lonely lantern"
    Summer in White
    The Israeli Opera Soloists
    Summer is here! So what do we wish you this summer?
    The Sweet and the Bitter
    The Israeli Opera Soloists
    Every independence has both honey and sting, and in honor of the celebrations of the 73rd anniversary of our country, we dedicate to you "The Sweet and the Bitter" the eternal and all-Israeli song by Naomi Shemer.
    A Sea Full of Tears
    The Israeli Opera Soloists
    After Eva Francis, Zohar Argov and Ninet - it is now our turn.
    Falling in Love With You
    The Israeli Opera Soloists
    One of the most beautiful songs by Ehud Manor and Nurit Hirsch!
    Captivated by your Charm
    The Israeli Opera Soloists
    This mesmerizing song by Ehud Manor and Nurit Hirsh reaches the opera stage with aplomb!
    Love is a Song for Two
    Goni Knaani
    A great love song is good all year long and not just on Valentine's Day.
    Those were the Nights
    The Israeli Opera Soloists
    Those were the Nights is one of the canonic Israeli love songs written decades ago by Orland ad Zeira and capturing the heart and essence of the great loves of the new born nation.
    City Night
    The Israeli Opera Soloists
    The words of Natan Alterman about sad women during sunset in the city could have been written for Tel Aviv in pandemic times.
    You Have to Ring Twice
    Tal Ganor
    Once upon a time, when Tel Aviv was smaller, two families used to share one apartment.
    The Eucalyptus Grove
    The Israel Opera Sloists
    Naomi Shemer gave this canonic Israeli song to the first grade children of Cineret as a very special personal gift.
    My Home and Native Land
    The Israeli Opera Soloists
    This is a song that scores of musicians have performed through the ages. So how can we at the Opera do it in a new way?

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