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Dido and Aeneas
Dido and Aeneas
The powerful love story of the Queen of Carthage and the Trojan prince who conquers her heart only to leave her to die in her despair. A new colorful production of Purcell’s beguiling score setting to music Virgil’s emotional tale of love.
Libretto: Nahum Tate
|Directors, Designers and Choreographers||Cecile Roussat and Julien Lubek|
|Lighting Designer||Marc Gingold|
|Dido||Anat Czarny||1.6, 3.6, 5.6, 6.6, 7.6, 9.6|
|Tal Bergman||2.6, 8.6, 11.6|
|Aeneas||Oded Reich||1.6, 3.6, 5.6, 6.6, 7.6, 9.6|
|Yair Polishook||2.6, 8.6, 11.6|
|Belinda||Daniela Skorka||1.6, 3.6, 6.6, 7.6, 8.6, 11.6|
|Tal Ganor||2.6, 5.6, 9.6|
|Second Woman||Moran Abullof||1.6, 3.6, 6.6, 8.6, 11.6|
|Shiri Hershkovitz||2.6, 5.6, 7.6, 9.6|
|First Witch||Tali Ketzef||1.6, 2.6, 3.6, 5.6, 6.6, 7.6, 8.6|
|Shaked Strul||9.6, 11.6|
|Second Witch||Nitzan Alon||1.6, 2.6, 3.6, 5.6, 6.6, 7.6, 8.6|
|Maya Bakstansky||9.6, 11.6|
The Israeli Opera Chorus
Chorus Master: Ethan Schmeisser
The Barocada Orchestra
Acrobats: Tal Asher, Aya Dayan, Shay Galor, Roman Lasnov, Shila Toledano, Yeugenia Vorobiova, Lana Yokhin
Dancers: Alexandra Gherchman, Leia Rose Weil
Duration: 75 minutes without intermission
Sung in English
English and Hebrew Subtitles
Hebrew Translation: Hemdi Kfir
Surtitles Preparation and Operator: Daphna Talitman
At court, Belinda is trying to cheer Dido up, but the Carthage Queen is full of sorrow. Belinda believes that the source of this grief is the Trojan warrior Aeneas and she suggests that Cartage’s troubles could be resolved by a marriage between the two. Dido fears that her love will make her a weak monarch, but Belinda and the second woman reassure her that heroes love as well. Aeneas enters the court and is at first received coldly by Dido, but she eventually accepts his proposal.
Scene i – The Sorceress’ Cave
The sorceress is plotting the destruction of Carthage and its queen, and summons companions to help her with evil plans. Her plan is to send a “trusty elf” disguised as Mercury to tempt Aeneas to leave Dido and sail to Italy. This would leave Dido heartbroken and she would surely die. The witches decide to conjure up a storm to make Dido and her train leave the grove and return to the palace.
Scene ii – A Grove during the Middle of the Hunt
Dido and Aeneas stop at the grove to take in its beauty. Dido hears distant thunder and Belinda tells the servants to prepare for a return to shelter as soon as possible. Alone, Aeneas is stopped by the sorceress’ elf, disguised as Mercury. He commands Aeneas, by the name of Jove that he has to immediately leave and create a new Troy on Latin soil. Aeneas agrees to the wishes of what he believes is the gods, but is heartbroken that he will have to leave Dido.
Scene i – The Harbour at Carthage
Preparations are being made for the departure of the Trojan fleet. The sailors are singing as the sorceress and her companions suddenly appear. They are pleased at how well their plan has worked and the sorceress plots the destruction of Aeneas while he will be at sea.
Scene ii – The Palace
Dido and Belinda are shocked at Aeneas’ disappearance. Dido is distraught and Belinda comforts her. Suddenly Aeneas returns, but Dido is full of fear before he speaks, and his words only serve to confirm her suspicions. She derides his reasons for leaving, and even when Aeneas says he will defy the gods and remain in Carthage, Dido rejects him for having once thought of leaving her. Dido laments her fate and eventually dies.
Back Stage Secrets
Back Stage Secrets at the Opera
Many Opportunities to Widen your Opera Experience
Do you want to know more about the opera you are about to attend? Do you want to find out some back stage secrets? Do you want to meet the artists after the performance? The Israeli Opera enables you to widen your opera experience with a variety of pre performance and post-performance events.
On Saturday morning before the premiere, the creators of the production and several of the soloists gather to discuss the opera, the production, their own career and today’s opera world. This is a unique opportunity to learn as much as possible about the production and meet the director, conductor, designers and some of the participating soloists. Musical excerpts from the opera illustrate the discussion. Towards Opening takes place before some of each season’s productions.
Pre Performance Lecture
One hour before each opera performance there is a 30-minute introductory lecture in the auditorium (in Hebrew). Opera staffers present the opera and the production and enable the audience to get some extra information a short time before attending the performances. Admission is free for ticket holders.
Pre Performance Back Stage Tours
What happens backstage before the audience even thinks of getting dressed for the performance? What do the singers do? The conductor? The Technical teams? How does everyone prepare for the performance? A unique opportunity to taste a little bit of the back stage excitement before the curtain ascends/ A concerted half hour tour in places that are not usually open to the general public. Tours begin 90 minute before the performance begins and last 30 minutes. Tickets are 25NIS and can be booked in advance (tickets for each tour are limited). Tours take place on several evenings in each production. Details can be found at the Israeli opera’s website. Tours from groups both in Hebrew and in English can be booked in advance ( email@example.com )
The curtain has just descended on the final scene of the opera. The hour is late. Nut the experience was riveting. This is the time to meet several of the performers. Come to listen and to speak. Ask questions. Meet the artists. A once in a lifetime opportunity to meet the artists who have just excited you on the stage. Opera Talkbacks takes place on the second level of the Opera House foyer and last around 30 minutes. Admission free. Opera Talkback takes place on several evenings in each production. Details can be found at the Israeli opera’s website.
|Towards Opening||26 May, 2018||11:00|
|PREMIÈRE||3 June, 2018||20:00|
|Back Stage Tours||
6, 7, 11 - June 2018
|Opera Talkback||6,7,9 - June 2018||After the show|