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בר ניווט לשוניות
Lucia di Lammermoor

Gaetano Donizetti



Lucia loves Edgardo but her brother forces her to wed Arturo. Lucia obeys yet transforms her wedding night into a feast of murder and a mad scene full with mesmerizing coloraturas.




Libretto: Salvadore Cammarano


 Conductor   Daniele Callegari    17.1, 18.1, 20.1, 24.1, 27.1, 28.1, 31.1, 3.2
  Ethan Schmeisser
 30.1, 31.1, 3.2
 Director   Emilio Sagi  
 Revival Director   Javier Ulacia  
 Set Designer   Enrique Bordolini  
 Costume Designer   Imme Moller  
 Lighting Designer   Eduardo Bravo  


Among the soloists:

Lucia Maria Jose Moreno  17.1, 20.1, 22.1, 24.1, 27.1, 30.1
  Hila Baggio  18.1, 21.1, 26.1, 28.1, 31.1, 3.2
Edgardo Alexei Dolgov  17.1, 20.1, 22.1, 24.1, 27.1, 30.1
  Salvatore Cordella  18.1, 21.1, 26.1, 28.1, 31.1, 3.2
Enrico Mario Cassi  17.1, 20.1, 22.1, 24.1, 27.1, 30.1
  Ionut Pascu  18.1, 21.1, 26.2, 28.1, 31.1, 3.2
Raimondo Dario Russo  17.1, 20.1, 22.1, 24.1, 27.1, 30.1
Vladimir Braun  18.1, 21.1, 26.1, 28.1, 31.1, 3.2
 Arturo Joseph Almog Aridan
 Alisa Anat Czarny  17.1, 18.1, 20.1, 21.1, 24.1, 27.1, 28.1, 31.1, 3.2
  Shahar Lavi   22.1, 26.1, 30.1
 Normano Guy Mannheim  

The Israeli Opera Chorus
Master: Ethan Schmeisser


The Opera Orchestra - The Israel Symphony Orchestra Rishon LeZion


From the repertoire – Sung in Italian
English and Hebrew Surtitles
Israel Ouval
Duration: 2 hours & 40 minutes


Tickets Price

 PREMIÈRE    210, 280, 345, 420, 470 NIS
 SUN-FRI    190, 252, 319, 388, 438 NIS
 SAT     207, 269, 334, 404, 453 NIS


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The action takes place in the Lowlands of Scotland in the 16th century.
The ruthless and manipulative Enrico (Henry) Ashton has obtained the estates of Ravenswood, ancestral home of Edgardo (Edgar), who now lives in poverty in the crumbling cliff-side castle of Wolf’s Crag. The death of William and the accession of Mary to the throne of Scotland has brought a new party into power and placed Ashton’s gains in jeopardy. He urgently needs to forge an alliance with the new ruling party and his only means of achieving this is through the marriage of his sister, Lucia (Lucy). The recent death of their mother has placed her effectively in his power, but she is a stubborn and independent girl, and he cannot necessarily rely on her compliance in his schemes.

Part One: The Departure
Ashton's accomplice, Normano, (Norman) sets his followers to spy on Lucia’s actions. Ashton explains to him his political and financial dilemma, and hence his dependence on Lucia. The pastor, Raimondo (Bide the Bent), urges Ashton to be patient with her: she still grieves for the recent death of their mother. Normano reveals that he has doubts about Lucia's trustworthiness. He relates a recent incident in the park when Lucia was attacked by a wild bull. At the last moment the bull was killed and Lucia rescued, but no one knows who her rescuer was. Normano suspects that she has secretly been meeting Edgardo, and that they are in love. Normano’s followers return and once again recount that they have seen a mysterious stranger in the grounds; this seems to confirm Normano’s suspicions. Ashton breaks into a furious rage, revealing that his entire enterprise stands on the brink of ruin unless he can manipulate Lucia into a diplomatic marriage.
In the castle's garden, Lucia is waiting by an old fountain with her companion Alisa (Alice) for a secret meeting with Edgardo. Alisa warns her of the danger of these meetings. Lucia recalls the legend of the fountain: a girl was murdered here by an insanely jealous member of the Ravenswood family. Her ghost still haunts the fountain, and Lucia believes she has seen her in the water. Edgardo arrives with the devastating news that he has decided to emigrate to France to fight for the cause of Scotland in exile. Before he leaves he intends to ask Ashton for peace between them and for Lucia’s hand. Lucia warns him that Ashton will never agree, and Edgardo reveals his deep bitterness against the man who killed his father and maneuvered him out of his property. He and Lucia exchange rings as tokens of their fidelity, and he leaves for France.

Part Two: The Marriage Contract 
Some months later, Ashton has decided to press ahead with Lucia’s diplomatic marriage with Arturo (Sir Arthur Bucklaw). To weaken her resistance, Normano has intercepted the correspondence between Lucia and Edgardo, and now produces a forged letter that will convince Lucia that Edgardo has another bride in France. Ashton shows her the forged letter, and she is devastated, but still not reconciled to the marriage, even when Ashton begs her to understand that their family fortunes depend on her agreement. The guests and bridegroom are announced. The pastor continues to press Lucia to submit, insidiously revealing that although he himself ensured that at least one of her letters reached Edgardo, he has still not replied for many months. Arturo arrives amidst contrived rejoicing, and Lucia is forced to sign the marriage contract. At the moment of signature Edgardo returns and, discovering that Lucia has apparently betrayed her promise to him, curses her.

Scene ii
Alone in the crumbling poverty of his castle, Edgardo bemoans the fate of his family at the hands of Ashton. Ashton himself comes to the castle, and the two men decide to fight a duel the next day. At Ravenswood, the wedding celebrations are interrupted by Raimondo, who reveals that Lucia is insane, and has murdered her husband Arturo. Edgardo goes to pray at the tombs of his ancestors before his duel with Ashton, but when he meets Lucia’s funeral procession, he commits suicide.


Back Stage Secrets

Back Stage Secrets at the Opera
Many Opportunities to Widen your Opera Experience

Do you want to know more about the opera you are about to attend? Do you want to find out some back stage secrets? Do you want to meet the artists after the performance? The Israeli Opera enables you to widen your opera experience with a variety of pre performance and post-performance events.

Towards Opening
On Saturday morning before the premiere, the creators of the production and several of the soloists gather to discuss the opera, the production, their own career and today’s opera world. This is a unique opportunity to learn as much as possible about the production and meet the director, conductor, designers and some of the participating soloists. Musical excerpts from the opera illustrate the discussion. Towards Opening takes place before some of each season’s productions.

Pre Performance Lecture
One hour before each opera performance there is a 30-minute introductory lecture in the auditorium (in Hebrew). Opera staffers present the opera and the production and enable the audience to get some extra information a short time before attending the performances. Admission is free for ticket holders.

Pre Performance Back Stage Tours
What happens backstage before the audience even thinks of getting dressed for the performance? What do the singers do? The conductor? The Technical teams? How does everyone prepare for the performance? A unique opportunity to taste a little bit of the back stage excitement before the curtain ascends/ A concerted half hour tour in places that are not usually open to the general public. Tours begin 90 minute before the performance begins and last 30 minutes. Tickets are 25NIS and can be booked in advance (tickets for each tour are limited). Tours take place on several evenings in each production. Details can be found at the Israeli opera’s website. Tours from groups both in Hebrew and in English can be booked in advance (sarah@tapac.org.il)

Opera Talkback
The curtain has just descended on the final scene of the opera. The hour is late. Nut the experience was riveting. This is the time to meet several of the performers. Come to listen and to speak. Ask questions. Meet the artists. A once in a lifetime opportunity to meet the artists who have just excited you on the stage. Opera Talkbacks takes place on the second level of the Opera House foyer and last around 30 minutes. Admission free. Opera Talkback takes place on several evenings in each production. Details can be found at the Israeli opera’s website. 


   Date Hour  
 PREMIÈRE  17.1.17   20:00  
 Back Stage Tours 18.1.17


 Opera Talkback 18.1.17




After the show
After the show
After the show
After the show


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