Andreas Staier, harpsichord, was born in Germany. He embarked upon a solo career in 1986 and, since then, his indisputable musical mastery has made its mark on the interpretation of baroque, classical and romantic repertoire. Staier studied modern piano and harpsichord in Hannover and Amsterdam. For three years, he was the harpsichordist of Musica Antiqua Köln with whom he toured and recorded extensively.  As a soloist, he performs throughout Europe, the United States and Japan with orchestras such as Concerto Köln, Freiburger Barockorchester, the Akademie für alte Musik Berlin and the Orchestre des Champs-Elysées Paris. He has been invited to leading international festivals including the Festival de La Roque d’Anthéron, Festival de Saintes, Festival de Montreux, Edinburgh International Festival, Styriarte Graz, Schubertiade Schwarzenberg, Schlweswig-Holstein Musik Festival, Bach-Fest Leipzig, Bachtage Berlin, Bachwoche Ansbach and Kissinger Sommer.  He has also performed in all the major venues in Europe, America and Japan, including Konzerthaus Wien, Konzerthaus Philharmonie Berlin, Kölner Philharmonie, Gewandhaus Leipzig, Alte Oper Frankfurt, Tonhalle Düsseldorf,  Wigmore Hall, Royal Festival Hall, De Singel Antwerp, Concertgebouw Amsterdam, Palais des Beaux Arts Brussels, Tonhalle Zürich, Cité de la Musique, Théâtre des Bouffes du Nord, Ircam, Théâtre des Champs Elysées,  Teatro della Pergola Florence, Sala Filarmonica Roma, Toppan Hall, Suntory Hall Tokyo, Carnegie Hall and many oothers. Andreas Staier has performed with internationally renowned artists such as Anne Sophie von Otter, Pedro Memelsdorff and Alexej Lubimov, and his close collaboration with tenor Christoph Prégardien is attested to in their recordings of German lieder by Schubert, Schumann, Mendelssohn, Beethoven, Lachner and Brahms.  He has formed a highly successful trio with violinist Daniel Sepec and cellist Roel Dieltiens, with which he also recorded for Harmonia Mundi.
In 2001, he gave the world premiere of Contra-Sonata, a work for fortepiano by the French composer Brice Pauset, which he also recorded for AEON. A Contra-Concerto will follow in October of 2011, together with the Freiburger Barockorchester His extensive discography has won great critical awards from the international press, whether for BMG, Teldec Classics (with whom he had an exclusive contract for seven years) or Harmonia Mundi, for whom he records since 2003. After the latest recording featuring the Goldberg Variations, the Diabelli Variations will follow.